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Stray Kids Historic No. 1 Debut Dominates Billboard World Albums Chart

Key takeaways

  • Stray Kids' new mini album 'THIS & THAT' achieved a historic simultaneous No. 1 debut on both the Billboard World Albums chart and the Billboard 200, topping five total Billboard charts this week.
  • BTS's 'Proof' holds No. 4 in its 218th week on the chart, while 'Love Yourself: Tear' at 220 weeks demonstrates extraordinary catalog longevity.
  • NewJeans' 'Get Up' jumped to No. 15 in its 153rd week on the chart, showing years-old releases can still generate significant commercial momentum.

Stray Kids’ Chart Sweep

A Historic Billboard 200 Debut

Stray Kids’ new mini album “THIS & THAT” achieved a landmark moment on this week’s Billboard World Albums chart: simultaneous No. 1 debuts across both the World Albums ranking and the Billboard 200. The achievement represented a historic crossing point for the group, establishing their latest release as a major commercial milestone within the K-pop industry. Beyond the dual No. 1 positions, Stray Kids‘ influence extended across five separate Billboard charts this week in total, underscoring the comprehensive reach of their fanbase and the album’s multifaceted commercial appeal across different listener demographics.

Previous Albums Sustain Continued Chart Presence

The group’s chart impact extended considerably beyond the new release itself. “KARMA,” one of their earlier albums, climbed back to No. 13 on the World Albums chart this week, while “DO IT” returned to position No. 19 on the same ranking. The presence of three separate Stray Kids projects charting on the World Albums chart simultaneously reflects how the group’s catalog continues generating meaningful interest from listeners even as new material makes its entrance into the market.

Stray Kids Historic No. 1 Debut Dominates Billboard World Albums Chart

CORTIS’ Extended Chart Run

Following Stray Kids’ No. 1 position, CORTIS occupied No. 2 with their latest EP “GREENGREEN,” marking its 15th week on the World Albums chart. The project has simultaneously spent 14 weeks on the broader Billboard 200, where it currently holds position No. 110. More significantly, their debut EP “COLOR OUTSIDE THE LINES” continues charting at No. 7, now in its 49th week on the World Albums chart—a substantial durability marker that demonstrates the group’s sustained appeal and their fanbase’s loyalty across two separate release projects.

ATEEZ and the Mid-Tier Stronghold

ATEEZ’s album “GOLDEN HOUR: Part.5” held its position at No. 3 this week in its seventh consecutive week on the World Albums chart. The placement demonstrates the group’s stable chart positioning even as newer releases from competing artists and genres continue entering the market and seeking similar top positions.

BTS’ Catalog Longevity

BTS claimed three simultaneous album entries on this week’s World Albums chart, showcasing the group’s enduring presence across their full discography. “Proof” held position No. 4 in its 218th week on the chart—an extraordinary longevity run that few albums in any genre achieve. “Map of the Soul: 7 ~The Journey~” returned to No. 11 in its 41st week on the ranking, while “Love Yourself: Tear” re-entered the chart at No. 21, marking its 220th total week—a testament to the group’s cultural staying power. This trio of simultaneous entries illustrates how BTS’s discography continues generating demand from different listener segments regardless of the era during which each album originally released.

Supporting Performers and New Movement

Established Acts Holding Ground

LE SSERAFIM’s album “PUREFLOW” maintained its No. 6 position in its 12th week on the chart. Yeonjun, member of the group TXT, achieved notable chart placement with his solo mini album “NO LABELS: PART 02” at No. 8 in its fifth week—a significant position for an individual artist project within the highly competitive K-pop marketplace. aespa’s “LEMONADE” climbed back to No. 9 in its 11th week, demonstrating renewed listener interest in the album despite the passage of time since its original release.

Chart Mobility in the Lower Tier

ILLIT’s album “MAMIHLAPINATAPAI” rose to No. 12 in its 15th week on the chart. NewJeans’ “Get Up” jumped to position No. 15 this week, a notable movement considering its 153rd week on the chart—evidence that years-old releases can experience renewed commercial momentum and listener rediscovery. BOYNEXTDOOR’s album “HOME” rounded out the top 20 at No. 16 in its ninth week of chart presence.

The Chart’s Dual Rhythm

The World Albums chart this week demonstrated the format’s characteristic pattern: dominant newcomers generating immediate commercial impact alongside catalog veterans with years or even nearly a decade of sustained presence. Stray Kids’ historic No. 1 debut signals the continued commercial vitality of newly released albums, while BTS’s 218-week run and NewJeans’ 153-week presence illustrate how top chart positions can maintain their appeal across years rather than merely weeks. The ecosystem reflects a balance between artist momentum, fanbase loyalty to back catalogs, and the broader shift toward sustained streaming engagement rather than one-time purchases.

Frequently Asked Questions

What major achievement did Stray Kids' 'THIS & THAT' accomplish this week?

'THIS & THAT' debuted simultaneously at No. 1 on both the Billboard World Albums chart and the Billboard 200, a historic achievement. The group topped five Billboard charts in total this week.

Which BTS album has spent the most weeks on the World Albums chart?

'Love Yourself: Tear' has spent 220 total weeks on the World Albums chart, the longest of any album mentioned this week, though it re-entered at No. 21.

How long has NewJeans' 'Get Up' been charting on the World Albums chart?

NewJeans' 'Get Up' is in its 153rd week on the World Albums chart, where it jumped to No. 15 this week.

Written by
Noah Park

Noah Park tracks actor and actress careers across the Asian entertainment industry — casting announcements, agency moves, and breakout performances. He has a knack for spotting future leads in supporting roles.