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Park Eun Bin and Yang Se Jong’s Adorable Grandmothers Steal the Show in “Spooky in Love”

Key takeaways

  • Director Lee Min-soo, known for his work on *Resident Playbook*, and writer Choi Jung-mi, credited for *Shoot My Heart*, bring extensive experience in emotionally driven storytelling to this adaptation.
  • tvN’s partnership with Netflix for simultaneous worldwide release on July 18, 2026, ensures that international audiences gain access to the drama on the same day as Korean viewers.
  • The 2011 film “Spellbound” established a premise that resonated with Korean audiences: the collision between someone who sees the supernatural world and someone terrified of it, forced into partnership.
  • Audiences should pay close attention to how the drama’s central “touch” mechanic develops across episodes and whether it becomes the source of comedic moments, romantic tension, or both simultaneously.

tvN’s upcoming 12-episode occult Romance drama *Spooky in Love* premieres July 18, 2026, at 9:10 p.m. KST with Park Eun-bin and Yang Se-jong leading a supernatural tale that blends horror, comedy, and Romance. The series, which will simulcast globally on Netflix, marks a high-profile television adaptation of the 2011 film “Spellbound,” bringing fresh energy to the genre through an ensemble cast that includes standout supporting performances.

A Supernatural Partnership Takes Center Stage

*Spooky in Love* centers on the unlikely partnership between Cheon Yeo-ri, a chaebol hotel heiress portrayed by Park Eun-bin who possesses the ability to see ghosts, and Ma Gang-uk, a prosecutor played by Yang Se-jong who harbors a deep fear of the supernatural. The pair discovers that a single touch between them creates an unexpectedly effective duo capable of solving unsolved murder cases and navigating the ghost-filled world that surrounds them. This unique “touch” mechanic serves as both the emotional and narrative anchor of the drama, driving romantic tension while propelling the supernatural plot forward.

Each of the 12 episodes runs 70 minutes, providing substantial storytelling space for the drama to develop its chaotic partnership and romantic elements. The series airs new episodes every Saturday and Sunday, concluding on August 30, 2026, giving viewers a consistent weekly viewing experience across the summer months. This extended runtime per episode is characteristic of premium tvN productions, allowing deeper character development and more intricate supernatural plotlines than typical broadcast dramas.

A Proven Creative Team Brings Depth to the Adaptation

Director Lee Min-soo, known for his work on *Resident Playbook*, and writer Choi Jung-mi, credited for *Shoot My Heart*, bring extensive experience in emotionally driven storytelling to this adaptation. The creative pairing signals an intentional focus on blending the supernatural horror elements with genuine romantic and comedic moments, elevating the material beyond a simple Remake. Their involvement underscores tvN’s commitment to treating this adaptation as a substantial creative undertaking rather than a straightforward recreation of the original 2011 film.

The original film “Spellbound,” written and directed by Hwang In-ho, achieved notable success in Korean cinema, establishing the core premise of a ghost-seeing heiress and ghost-fearing prosecutor that proved compelling enough to warrant a television expansion. The decision to adapt this property for television allows for extended character exploration and subplot development impossible within the film’s runtime constraints. This approach reflects a broader industry trend of reimagining successful films as serialized dramas, providing audiences with deeper engagement across multiple episodes.

Supporting Cast Rounds Out the Ensemble

Beyond the lead duo, the supporting cast includes Ong Seong-wu as Kang Min-hwan, alongside Jo Hye-joo, Kim Do-wan, Ye Soo-jung, Cha Mi-kyung, Lee Chang-hoon, Kim Min-ho, and Lee Ho-young in roles that will shape the drama’s narrative landscape. The ensemble structure suggests that the supernatural cases and ghost encounters will extend beyond the central pair, allowing for richer world-building and multiple narrative threads. This casting strategy provides opportunities for character arcs that develop across the 12-episode run.

The inclusion of a diverse supporting cast signals that *Spooky in Love* intends to explore the implications of Cheon Yeo-ri’s ghost-seeing ability and Ma Gang-uk’s prosecutorial work across multiple storylines and character perspectives. Rather than relying solely on the romantic chemistry between the leads, the drama builds a complete fictional universe populated by ghosts, suspects, and individuals whose lives intersect with the central mystery-solving partnership.

Global Distribution Strategy Positions Drama for International Success

tvN’s partnership with Netflix for simultaneous worldwide release on July 18, 2026, ensures that international audiences gain access to the drama on the same day as Korean viewers. This simultaneous simulcast approach reflects Netflix’s strategy for maximizing global reach for premium Korean content while supporting tvN’s position as a leader in high-quality drama production. The global distribution model removes traditional barriers that once delayed international access to Korean television series.

The Netflix partnership expands *Spooky in Love* beyond the traditional tvN viewership base, positioning it to compete for international attention alongside other major summer 2026 releases. This strategy acknowledges the growing global appetite for Korean dramas that blend genre elements—in this case, horror, romance, and comedy—in ways that appeal to diverse international audiences. The worldwide availability ensures that the drama’s cultural impact extends far beyond South Korea’s borders.

A Supernatural Romance Adapts for the Television Era

The 2011 film “Spellbound” established a premise that resonated with Korean audiences: the collision between someone who sees the supernatural world and someone terrified of it, forced into partnership. The television adaptation preserves this core tension while expanding the universe to accommodate serialized storytelling across 12 episodes. Genre classification as romance, comedy, and horror reflects the drama’s commitment to tonal variety rather than leaning heavily into any single genre.

Television adaptations of successful films have become increasingly common in the Korean drama industry, with *Spooky in Love* representing a particularly ambitious undertaking given the film’s cultural significance and the complexity of translating its supernatural elements to the small screen. The extended runtime and episodic structure allow for deeper exploration of how Cheon Yeo-ri and Ma Gang-uk’s relationship evolves while maintaining the mystery-of-the-week structure that drives much of the drama’s plot.

What Viewers Should Monitor

Audiences should pay close attention to how the drama’s central “touch” mechanic develops across episodes and whether it becomes the source of comedic moments, romantic tension, or both simultaneously. The premiere on July 18, 2026, will establish the tone for the entire series and reveal how successfully the creative team balances horror and romance without allowing either element to overshadow the other. Early episodes will also clarify the scope of the supernatural mysteries that drive the overarching narrative.

As *Spooky in Love* launches this summer, the drama enters a competitive landscape of premium Korean television productions vying for viewer attention. The combination of established stars, proven creative talent, and a unique premise positions the series as a significant entry in the occult romance genre, with the potential to influence how Korean dramas approach supernatural storytelling. Viewers worldwide will have simultaneous access to discover whether this adaptation justifies the investment in expanding the 2011 film into a 12-episode television event.

Written by
Claire Song

Claire Song has been watching and writing about K-Dramas since the early days of streaming, when finding subtitles required real dedication. She covers casting news, premiere reviews, and the cultural forces behind the Hallyu wave. Claire's specialty is historical dramas (sageuk) and the actors who define each generation of Korean television.